Film Studies
At work I got to place the order for some organ donation posters to go to the BBC. They are going to appear on Holby City! It's very exciting - I hope I get a mention in the credits. Watching the credits to Bruno Dumont's film Hadewijch the other night, I saw so many names flying past that it didn't seem entirely impossible that my name wouldn't be among them. I'd turned up to watch the thing, hadn't I? Twice, in fact - the only film I've seen more than once at the cinema except for Star Trek IV: The Voyage Home (an interesting double-bill there).
Hadewijch is about a nun who becomes a suicide-bomber. That makes it sound like it might be another Grindhouse offshoot directed by Robert 'Machete' Rodriguez - either that or the latest Angelina Jolie vehicle. But no, it's even more perverse than that - in Dumont's film, our nun survives her suicide-bombing. Or seems to. There are lots of 'explanations' for the ending on imdb, some of them quite ingenious. But they miss the point. The truth is, Dumont is simply testing our faith in him. It isn't enough just to watch his films, you have to bow down to him as to a god. Which is fine by me. And by the way I was very pleased to see Hadewijch in John Waters' top ten of last year, just under the Justin Bieber documentary.
I also saw The Woman In Black, with a popcorn-munching mainstream audience, which I'm not used to. They were OK I suppose, once they'd settled down, but I wasn't so sure about the film, which seemed like a succession of well-mounted scary moments attempting to distract us from a void (played by Daniel Radcliffe). The film seems largely to consist of Radcliffe wandering around a spooky mansion being startled by things. I don't know why the Woman In Black is so interested in him when she only kills children - oh wait, maybe I do. Except Radcliffe is definitely an adult in this, and just to prove the point they've given him a dead wife and a young son who looks a bit like Boris Johnson. He isn't wearing those little round glasses either. No, must be a grown-up. Whatever those sinister whispering voices say...
Hadewijch is about a nun who becomes a suicide-bomber. That makes it sound like it might be another Grindhouse offshoot directed by Robert 'Machete' Rodriguez - either that or the latest Angelina Jolie vehicle. But no, it's even more perverse than that - in Dumont's film, our nun survives her suicide-bombing. Or seems to. There are lots of 'explanations' for the ending on imdb, some of them quite ingenious. But they miss the point. The truth is, Dumont is simply testing our faith in him. It isn't enough just to watch his films, you have to bow down to him as to a god. Which is fine by me. And by the way I was very pleased to see Hadewijch in John Waters' top ten of last year, just under the Justin Bieber documentary.
I also saw The Woman In Black, with a popcorn-munching mainstream audience, which I'm not used to. They were OK I suppose, once they'd settled down, but I wasn't so sure about the film, which seemed like a succession of well-mounted scary moments attempting to distract us from a void (played by Daniel Radcliffe). The film seems largely to consist of Radcliffe wandering around a spooky mansion being startled by things. I don't know why the Woman In Black is so interested in him when she only kills children - oh wait, maybe I do. Except Radcliffe is definitely an adult in this, and just to prove the point they've given him a dead wife and a young son who looks a bit like Boris Johnson. He isn't wearing those little round glasses either. No, must be a grown-up. Whatever those sinister whispering voices say...