never mind the pollocks
I had pollock in Wickham Market. The waitress said it was just like cod but with 'no skin and no bones'. You couldn't help but wonder how it got by in the wild; still, I ordered it. Once it arrived, it was even less easy to see how it worked. Though it did indeed taste like cod, it was long and thin like an eel, yet V-shaped. Was it an off-cut of something bigger? Was the name a reference to Jackson Pollock? 'Abstract expressionist' just about summed it up.
We were in Suffolk to see the Christmas show my cousin writes with her partner. The Haunted Commode is based on the kind of horror film where four strangers meet up in a catacomb/country house/bus shelter and tell each other their horrific experiences before finding out, at the end, that they've been dead all along. In this case, with all the additional elements of pantomime which were sorely lacking in, say, Dr. Terror's House Of Horrors (largely due to Peter Cushing's stubborn refusal to work with glove puppets.)
Here the creepy rendezvous was a railway station waiting room and the pivotal character was 'Florence Humbleby', a writer determined to turn her travelling companions' chilling tales into an 'anthology of the macabre' which will make her a fortune. That a horror anthology could make that kind of money was by far the most implausible element in a show which also featured a dog-mummy demanding 'sausages' and a farting spider. My favourite conceit was the cannibalistic twin public schoolboys (permanently dressed in their cricket gear) who want to turn their ancestral pile into an old people's home and feast upon the inmates. These should become standard pantomime characters.
Not that it was a panto, exactly, as you can perhaps tell, though there was plenty of classy innuendo on hand of the 'I'm now going to deposit the contents of my lunchbox in your front basket' variety. However, entertaining as it was, it was no match for the anecdotes I was a party to throughout the rest of the weekend, staying at my aunt's. An account of killing cockroaches with a flamethrower in a Chorley bakery; stories about mysterious characters like 'Pitt the bowel surgeon', whose aunt is 'a very high-powered landscape gardener'; and the revelation (courtesy of my father) that Hitler's (apparently legendary) fondness for parrots extended to having one strapped to each leg, both of them trained to squawk 'Sieg Heil!' every time the Fuhrer saluted.
Suspect as some of this may be as historical fact, I can already feel the elements of next year's Christmas show coming together.
We were in Suffolk to see the Christmas show my cousin writes with her partner. The Haunted Commode is based on the kind of horror film where four strangers meet up in a catacomb/country house/bus shelter and tell each other their horrific experiences before finding out, at the end, that they've been dead all along. In this case, with all the additional elements of pantomime which were sorely lacking in, say, Dr. Terror's House Of Horrors (largely due to Peter Cushing's stubborn refusal to work with glove puppets.)
Here the creepy rendezvous was a railway station waiting room and the pivotal character was 'Florence Humbleby', a writer determined to turn her travelling companions' chilling tales into an 'anthology of the macabre' which will make her a fortune. That a horror anthology could make that kind of money was by far the most implausible element in a show which also featured a dog-mummy demanding 'sausages' and a farting spider. My favourite conceit was the cannibalistic twin public schoolboys (permanently dressed in their cricket gear) who want to turn their ancestral pile into an old people's home and feast upon the inmates. These should become standard pantomime characters.
Not that it was a panto, exactly, as you can perhaps tell, though there was plenty of classy innuendo on hand of the 'I'm now going to deposit the contents of my lunchbox in your front basket' variety. However, entertaining as it was, it was no match for the anecdotes I was a party to throughout the rest of the weekend, staying at my aunt's. An account of killing cockroaches with a flamethrower in a Chorley bakery; stories about mysterious characters like 'Pitt the bowel surgeon', whose aunt is 'a very high-powered landscape gardener'; and the revelation (courtesy of my father) that Hitler's (apparently legendary) fondness for parrots extended to having one strapped to each leg, both of them trained to squawk 'Sieg Heil!' every time the Fuhrer saluted.
Suspect as some of this may be as historical fact, I can already feel the elements of next year's Christmas show coming together.